A common question that every creative asks is "can I work for free?" Of course, there are a thousand nuanced answers to this, but my simplified take is: "you can work for free, but don't work for nothing." Ideally, yes, you get paid. Even if you're at the early stages of your career, it's good to at least try and get some sort of monetary compensation. But, barring that, ask for *something* in return. Connections in the industry, tickets to conferences, profit shares, and ski

Unfortunately, internships and beginner-friendly entry level jobs in game audio are few and far between. So, it’s more important than ever before to generate our own experience. Whether it be through game jams, student work, or mini-projects that satiate your curiosity, all of those little bits of experience go a long way. The output doesn’t always need to be amazing, but the sheer fact that you’re doing something, *anything*, of your own accord is immediately impressive.

This is what professional composers/sound designers do differently to keep work coming in - regardless of how the industry is doing.

There are 3 big myths that are peddled to folks wanting to work in game audio. Here's why they're all lies.

You've probably noticed that the tech and game industries are in an... interesting position right now. Mass layoffs are the norm, it...

In my last two newsletters, we talked about the deep frustration of learning sound design , and how to think like a storyteller  when you...

A lot of creatives are taught a common myth: that if they just sit around and get good enough at their craft, everything else will take...

Have you been in Game Audio Purgatory? I certainly have. You've know been there if you're in the place where you want more clients -...

Fun fact: bananas, one of my favorite fruits in the whole world, are radioactive. Yes indeed! You heard that right. Eat enough bananas,...

There's one habit that separates sound designers from the rest of the pack, and almost no one does it.

I simply must tell you about my favorite sport in the entire world. It's got everything: Athleticism, thoughtfulness, planning, and it...

How to find game audio gigs, even if you live outside of places like Seattle, Los Angeles, or even the US.

How, exactly, to use your time this year.

You may think you need to live in a big city to make things happen... but do you?

How composers can find work - no matter where in the world they are.

An interview with orchestrator, arranger, music transcriber, and music prep expert Jason Poss.

In this interview with Sydney Kjerstad, we discuss the myth of talent, imposter syndrome, mental health, and much more!

In Episode #6 of the Sound Business Podcast, we're interviewing the incredible Jason LaRocca.

For Episode #4 of the Sound Business Podcast, we're interviewing the ever-delightful Austin Wintory.

Melissa Pons is a field recordist and sound designer who is known for her beautiful nature recordings.